January 13, 2017 Kevin Erb

Let’s get weird

We’ve talked plenty about the potential power humor can have on marketing – as well as its potential pitfalls. If you’ve noticed, however, that some marketing these days is blurring the line between humor and absurdity, you’re not alone.

Indeed, over the past several years, brands like KFC, Old Spice, Emerald Nuts, Axe Body Spray and Sprite have embraced and advanced the marketing trend of “oddvertising.” Although the name renders it fairly self-explanatory, oddvertising is humor-based marketing with a decidedly absurdist angle to it – focused less on selling product or making consumers laugh, and more on getting their attention and making them say, “WTF?”

The goal with oddvertising, as you might imagine, is to drive and generate buzz for a brand among audiences who may be more reflexively skeptical to what some would consider “traditional” marketing efforts. That fever-dream of a 30-second spot will serve its purpose in getting people’s attention in the moment, to be sure, but its real value comes in the brand engagement it can drive online after the fact – shares, retweets, likes, comments, “WTF?s,” etc. That’s where oddvertising can cut through the clutter and connect with consumers who may not be easy to connect with.

Of course, the potential risks we discussed with the use of humor are exponentially greater with this type of approach. For example: The common thread among the oddvertising brands listed above? Their audience – millenials and younger. That’s an audience much more predisposed to this type of approach compared with others. And that’s why – as we’ve said more than once – crystal-clear understanding of your audience is crucial at all times.

This isn’t to say this type of approach can’t work with other audiences, of course; it’s only to say that it’s important to know how your audience thinks and consider the degree of absurdity you’re conveying – and the manner and platform in which you deploy it. You wouldn’t want people thinking you’re weird, after all.

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